Written in English
|Statement||Sally M. Bailes.|
|The Physical Object|
|Number of Pages||52|
Part II of the book analyzes the aesthetics of haptic form and the art of the blind. The work of blind sculptors is presented and is analyzed. There are a number of illustrations. item. The mechanisms underlying tactile perception of form remain relatively little understood, despite long interest in the topic. This interest extends at least several hundred years, for instance, to Molyneux's question, whether a blind person suddenly given sight would immediately recognize by vision objects previously identified by touch, and to Diderot's letter on the blind (see Morgan, ).Cited by: Object recognition, whether visual or haptic, is impaired in sighted people when objects are rotated between learning and test, relative to an unrotated condition, that is, recognition is view-dependent. Loss of vision early in life results in greater reliance on haptic perception for Cited by: 1. compared early blind and sighted control participants on a haptic object recognition task. Participants studied pairs of unfamiliar 3-D objects and performed a two-alternative forced-choice identification task, with the learned objects presented both unrotated and rotated ° about the y-.
The present study tests whether age at onset of total blindness and the proportion of life-time without visual experience affect the haptic processing and recognition of tactile pictures in a sample of 20 totally blind adults. We also examine the type of mental strategy (visual, non-visual) used to Cited by: 4. The performance in letter recognition of 21 blind participants was compared with that of 16 age-matched sighted participants in an n-back working memory participants were tested tactually with series of raised letters and Braille characters, and sighted participants tactually with series of raised letters and visually with series of letters presented on a computer by: memory, in a similar way in which a sighted person may mark a graph or table at a point of interest, or leave a note in a margin. This paper describes the design, implementation and evaluation of external memory aids for exploring haptic graphs. The memory aids are. Search SpringerLink. Search. Home; Log in; Haptics: Neuroscience, Devices, Modeling, and Applications. International Conference on Human Haptic Sensing and Touch Enabled Computer Applications. EuroHaptics Haptics: Neuroscience, Devices, Modeling, and Applications pp | Cite as. Similarity of Blind and Sighted Subjects When Cited by: 4.
1. Introduction. For obvious reasons, blind people have to rely on other senses than vision. In case of blindness, touch is the most likely sense to replace vision for the acquisition of spatial knowledge of the environment and object properties (Hatwell, a, Hatwell, b).However, as Heller () has pointed out, studying touch in blind persons is subject to several practical by: 9. Haptic perception in virtual reality in sighted and blind individuals. By Paul Robert Penn. Recognition of tactual form by sighted and blind subjects. " Visual mediation and the haptic recognition of two dimensional pictures of common : Paul Robert Penn. A closer look revealed &" Superiority of blind listeners rather in complex auditory tasks: ðàoptimized stimulus processing (cf. Hugdahl et al , Starlinger/Nimeyer b) "Hypothesis: blind subjects have a better speaker recognition ability compared to. (iii) the precise relations between strategy and haptic recognition performance. We used non-figurative 2-D patterns made from different combinations of a series of vertical, horizontal, and oblique segments as material in a haptic recognition task. Haptic recognition of 2-D raised-line patterns by blind and blindfolded sighted adults Cited by: